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Perhaps one of the nearest skerries jookup Pod hd500 hookup you can off others' treatments and install them, and having effects pre-or post the municipality. For a more spread guide, see this and this by Jim Reynolds, an especially helpful Pod HD service member. So I have two people of all my includes anyway. But then why do you have a Pod anyway?.

I find it's best to start with everything putting out Pod hd500 hookup low output, and start hoookup up the outputs on each piece of gear until you are clipping hoo,up next one then back off a bit. Your tone will h5d00 start out noisier this way, but I find it's easier to systematically dial in hookpu piece of gear like this than to just turn everything on, find some fuzz or clipping or nastiness in the tone, then start guessing as to where it's coming Poc. Amp without effects loop If your amp doesn't have an effects loop, you only hd5000 one option, as demonstrated below. Hd5500 should set your Pod hd500 hookup mode to "Combo Front" or hd5500 Front" see output modes section.

These modes allow you to tweak the tone before it hits your amp hookjp compensate ud500 how your amp's pre-amp will color hd5500 tone. Note that the "[]" section represents an optional section. This setup is undesirable because you cannot bypass your amp's pre-amp. Whatever coloration it has on the tone cannot be avoided, only compensated for using the Pod's limited controls as mentioned above. Also, you have to run all your effects before said pre-amp, which may prevent you from achieving the dynamics you desired. The only benefit is that if you like your amp's pre-amp, you can use it instead of the Pof modeling hv500 the Pod, using the Pod only Po before pre-amp effects.

But then why do you have a Pod anyway? The Pod works best when run hookhp the effect's loop return of an amp. This bypasses the pre-amp hookhp sends the tone hpokup into the power amp section of the amp. For my purposes it works great. It doesn't matter what hookuup mode you use, but to be safe in case you one day decide to use the amp hd050 and forget about this setup choose one consistent with yookup you're hooking it up - Stack or Combo Power Amp. Simple setup for amp with effects loop This hookup is nearly the same as above, but you run into the effects loop return power amp in on the amp.

Here you bypass your amp's pre-amp completely, and you use the Pod's amp modeling instead. This gives you a very clean tone - power amps usually don't color the tone very much, at least not until you start really pushing the amp. In that case, you should see the "pre" vs. The downside is that you do not have the option to use your amp's pre-amp. If you want that option, you have to use the 4 cable method, described below. You can run effects before or after your pre-amp, and you use either your amp's pre-amp or one of the Pod's amp models.

Which pre-amp you are running is completely patch-dependent. You can even toggle it inside a single patch using a single footswitch on the Pod. You send your signal to the actual amp via the FX Loop effect on the Pod. You set up your patches with the Pod's FX Loop on and amp model off to use your real amp's pre-amp, or vice versa to the use the Pod's amp modeling. Effects after are post-pre-amp. For a more detailed guide, see this and this by Jim Reynolds, an especially helpful Pod HD community member. But perhaps your gear is different, or perhaps you simply have different tastes about what is harsh or sounds good.

As long as you're not running the output of a real power amp into the Pod or other effect high watt power amp output should only be run into speakers or a dummy load or sending a line level mostly anything not coming from an actual instrument signal into the Pod's instrument level Guitar In input, you probably won't break anything by experimenting. My friend used to run his Boss multi-FX processor into his Fender amp, and he got the best tone by using the speaker simulation in the Boss unit, even though he was running into real guitar speakers. When he told me his settings, I thought, "That's not right" and tried to tweak his gear how I thought it should be set up.

I could never get a better tone than what he already dialed in using the "wrong" settings. Whatever gets you the best tone and doesn't break your gear is how you should run it, no matter how many people say that your settings are "wrong". They can help reduce highs. There may be a particular combination that sounds great with your gear. See the cab and mic selection section for general pointers about what to expect for frequency response. There's no built-in feature to do this, but you can do it with some trickery. Set the other one up with "no cab".

There are two ways to route the output. Both involve some trade-offs. The simplest is to use the FX Loop effect block. Place the FX Loop at the end of either one of the channel paths, right before the mixer. At the mixer, mute the channel with the FX Loop to guarantee no signal is passing through. For the other channel, set the pan to full center - this allows both sides of the stereo spectrum for that channel to pass through to the analog outputs on the unit. The upside for this method is that you get two stereo outputs FX loop send is a stereo output. The downside is that you need to place the FX Loop before the mixer, so you have to apply any post-amp effects twice - once in each channel, which can run into DSP limit errors.

The other method is to use the mixer to pan each signal full left and right and not bother using the FX Loop. Then the two sides have different processing. The upside is you can use some effects after the mixer, avoiding DSP limit errors. The downside is that they have to be true stereo effects, or the two signals will be mixed to mono.

But you don't need to run the other cable to anything - just make sure it's plugged in. This isn't the case for the XLR outputs, though, which never sum to Pod hd500 hookup. Otherwise the POD will simulate your cab before your cab does it's own thing. Also, when adding an amp, if you are not using 2 amp models simultaneously using only one channelthen setting the unused channel to Variax instead of "Same" is a way to clean up the tone - or mute the channel, which I don't know how to do yet. This was recommended in thread that I quote below. I'm AB'ing between it and a Twin First half of the clipdon't know if that's what's causing it. I had the inputs set to "same" so perhaps it doubles the input into each, but it didn't work otherwise.

Input 1 should be set to guitar and input 2 to one of the Variax models or muted, didn't know that was possible. When set to same you are essentially getting a boost doubling the input for which you will never get a clean sound using humbuckers with any of the amps.

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I set mine to 1st channel Variax cause that is my main instrument and I set the second to guitar which I don't use. On high gain patches I even mute the second channel and can tell a difference. You can mute the second input? Need to look at the manual. Been setting my second to Variax as that was the quietest of the options available

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